Instead of 60 audio effects, you get only half or a third. Instead of 17 VSTs, you only get six or even fewer. Other versions of Live 11, Standard and Lite, are limited by comparison. This makes it a dynamic part of the band instead of the main tempo that all the bandmates must follow. The new tempo following feature adjusts your session's tempo in real-time based on incoming audio. There are several features in Live 11 that make it Ableton's best version yet like comping, which allows you to record multiple takes at once and combine the best ones for an optimal recording experience that adds creativity instead of hindering it while in session. So whether you want to record live instruments and vocals or create productions entirely within the software, it's never been easier. While Ableton has long been a leading software for electronic producers and performers, the features in Live 11 make it the best version yet for all kinds of music makers. Not fussed if I cannot browse or access everything from a single controller, I have enough that I can find what I need somewhere or another and get on with getting the idea out of my head and on paper.10 Reasons to Upgrade to Live 11 Standard or Suite That's the way I have conditioned myself to work. Session view still gets used to copy ideas into to make changes and to "backup" clips in arrangement as I go and try new things but from there it's kind of a mixed bag as to how it goes. When I switch to a drum track with a rack (I use mostly racks) I switch over to push then when I have enough basic "blocks" designed that resemble the outline of a song I record a basic performance to arrangement and then start working in there. Then I will normally play until I find the melody I want, capture to a clip, keep capturing clips or making variations, adding more instruments (just normally duplicate the KK track and find a new instrument. Really depends on what I am working on but typically if I am starting with a blank slate and normally some idea of a tune I have or want to emulate i'll load Live which has just a KK track on it which I use to find the first sound I am after then if I need drums I select a pre-designed kit. It is also possible to rout the smart play features out of KK into Live and use it to control live instruments:Īnd if you want to have "blue hand" control over live devices then this is also possible using a second control script to auto map when you switch to MIDI mode: If you connect more than 1 at a time then they stop working which really sux since I have a beta test A series I would like to use but it's just a dust collector since I much prefer my older MK1 keyboard (the tiny single screen on the A series sux) What doesn't work well tho is using multiple KK keyboards within Live. I then use the keyboard to search for and design sounds and play melodies as well as automate controls. I personally use Push to do most of the Live stuff and of course my drum kits since it is far better than a keyboard to track drum parts. You cannot browse/load NKS using Push (wish you could) and to access the mapped parameters of a VST you need to map them with the Configure section of the VST wrapper to use with Push but they do work well together for their own purposes.
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